Siberian Exile: Blood, War, and a Granddaughter’s Reckoning

COMING SOON. OCTOBER 2017.

“Interweaving coincidences and reversals with historical precision in a narrative that layers, folds, zags and spikes, Julija Šukys wanders the ghost-filled streets of the present, mingling with kin, real and imagined, and corresponding with multiple unspeakable pasts. I can’t recall the last time I read so gripping and so delicate a documentary of atrocity, complicity, dispossession and survival. Siberian Exile is remarkable, daunting, and disarmingly real.” — Mary Cappello, author of Life Breaks In: A Mood Almanack

“All families harbor secrets. What if, in blithe innocence, you set out to research your family history, only to discover that your grandfather was guilty of the most heinous of crimes? Šukys pursues her tragic family memoir with courage and self-examination, often propelled to her painful discoveries by what she believes is a bizarre synchronicity. This is not a book written at a safe distance.”—Rosemary Sullivan, author of Stalin’s Daughter: The Extraordinary and Tumultuous Life of Svetlana Alliluyeva

“Riveting. . . . Beyond the historical and familial narrative, Julija Šukys ponders her own exile and her own complicity, allowing readers to do the same, comparing versions of selves and asking which version is truest, an impossible question, but one readers will find as enthralling as these pages.”—Patrick Madden, author of Sublime Physick and Quotidiana

PREORDER Siberian Exile at the University of Nebraska Press. 

PREORDER Siberian Exile at Amazon. 

About the Book

When Julija Šukys was a child, her paternal grandfather, Anthony, rarely smiled, and her grandmother, Ona, spoke only in her native Lithuanian. But they still taught Šukys her family’s story: that of a proud people forced from their homeland when the soldiers came. In mid-June 1941, three Red Army soldiers arrested Ona, forced her onto a cattle car, and sent her east to Siberia, where she spent seventeen years separated from her children and husband, working on a collective farm. The family story maintained that it was all a mistake. Anthony, whose name was on Stalin’s list of enemies of the people, was accused of being a known and decorated anti-Bolshevik and Lithuanian nationalist.

Some seventy years after these events, Šukys sat down to write about her grandparents and their survival of a twenty-five-year forced separation and subsequent reunion. Piecing the story together from letters, oral histories, audio recordings, and KGB documents, her research soon revealed a Holocaust-era secret—a family connection to the killing of seven hundred Jews in a small Lithuanian border town. According to KGB documents, the man in charge when those massacres took place was Anthony, Ona’s husband.

In Siberian Exile Šukys weaves together the two narratives: the story of Ona, noble exile and innocent victim, and that of Anthony, accused war criminal. She examines the stories that communities tell themselves and considers what happens when the stories we’ve been told all our lives suddenly and irrevocably change, and how forgiveness or grace operate across generations and across the barriers of life and death.

PREORDER Siberian Exile at the University of Nebraska Press. 

PREORDER Siberian Exile at Amazon. 

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A Street Named for Ona Šimaitė in Her Beloved City of Vilnius

Street-sign-for-Simaite

I woke up this morning to the news that a street had been named for Ona Šimaitė, the subject of my second book, Epistolophilia. Šimaitė was a librarian, a feminist, a deep thinker, an obsessive letter writer, and a Holocaust rescuer. She loved Vilnius and its people, books, libraries, churches, theatres and markets. No doubt, the knowledge that one of its streets now bears her name would have moved her deeply. She didn’t believe in riches (she was a hardcore leftist who didn’t even believe in owning property!), but she loved words and had a deep reverence for humane gestures like this one. I think she would have approved.

I thank all those who have worked quietly (or not so quietly) to have her honored this way. I can’t wait to walk the street myself.

Photo courtesy of Defending History. You can read more about the naming ceremony via this link.

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Julija Sukys Talks to CKUT Radio About Creative Nonfiction and Canada Writes

Canada Writes

I was honoured to be chosen as a reader for the Canada Writes creative nonfiction competition for 2013. Over the winter months, I sifted through hundreds of submissions that arrived at my door every few days in fat yellow envelopes. Now, at long last, the shortlist and winner have been announced.

Last week, I talked to Anne Malcolm, host of The Monday Morning After at CKUT Radio in Montreal, about creative nonfiction in general and about being a Canada Writes reader in particular. Even though I have a bit of a phobia of hearing to audio of myself, I took the plunge and sat down to take a listen to the interview and decided it wasn’t so bad.

You can listen to the CKUT interview with Anne Malcolm here.

You can read my Q & A (the one I refer to in the radio interview) about being a Canada Writes judge here. 

[Photo: .sarahwynne.]

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Epistolophilia Long-Listed for Charles Taylor Award in Literary Non-Fiction

As I posted on Facebook, I will admit that my hands shook for a while after learning the news that my book, Epistolophilia: Writing the Life of Ona Šimaitė has been long-listed for the Charles Taylor Prize in Literary Non-Fiction. It’s an enormous honour.

THE CHARLES TAYLOR PRIZE commemorates Charles Taylor’s pursuit of excellence in the field of literary non-fiction. The prize will be awarded to the author whose book best combines a superb command of the English language, an elegance of style, and a subtlety of thought and perception. The prize consists of $25,000 for the winner and $2,000 for each of the runners up as well as promotional support to help all shortlisted books stand out in the national media, bookstores, and libraries. Authors whose books have been shortlisted for the prize will be brought to Toronto for the awards ceremony. The winner will be invited to read at the International Festival of Authors, held in October at Harbourfront Centre in Toronto.

You can find the entire long-list here.

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New Review in Lithuanian-Canadian Weekly

Thanks to Ramunė Jonaitienė for this review in Tėviškės Žiburiai, the Lithuanian-Canadian weekly newspaper. Among the phrases I’m really grateful for is her description of my tone as “calm.”

Ačiū, TŽ.

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On Clutter

Pack Rat by davedillonphoto

Today, I return to my manuscripts. I’ve got both an essay and a book that I abandoned unceremoniously some four months ago. I can’t wait to get back to them.

But there were good reasons for my break from writing: there was our house in Gozo to pack up, our life to get back in order upon our return to Montreal, and Sebastian to entertain before day camp started up. Finally, I had paying work to finish and a new book to promote.

Before leaving on our 8-month Maltese adventure, I sifted through every belonging in our house and did a huge purge. Upon returning, we de-cluttered again, considering the use, value and necessity of each object as it emerged from its box. (Time and distance really do give you a good perspective on the things you own and drag around.)

Keeping clutter down in our house is tough for me. I’m a pack rat by nature, having descended from a long line of war babies whose instinct was to keep things just in case. For example, though my maternal grandmother’s house was spotless and tidy, its cupboards and closets were lined with neat little labelled packages of thread, photographs, letters, wedding shoes, fishing lures…you name it. She was a secret pack rat — literally, a closeted one.

My mother’s house, on the other hand, was just packed – totally randomly and without labels or order or pretence. When she moved out of her condo and into a nursing home (when her Multiple Sclerosis made 24-hour care necessary), I spent days shredding decades-worth of papers, among which I found several envelopes of cash and caches of family letters (I kept both). I sorted through broken furniture, piles of books, nonfunctional stereos, old records, dusty silk flowers, jars of pennies and foreign currency, dishes, and vases galore. I managed to get rid of most of the clutter, fighting my impulse to keep this or that just in case, but I shipped home the boxes and boxes of family photographs that had filled my mother’s living room wall unit. None of the photos are organized or in books. They are in envelopes or tossed loose into cartons. Most aren’t even labelled.

The idea of going through them now overwhelms me.

When we returned from Gozo, instead of putting these boxes back in our basement closet where they sat undisturbed for years since I’d moved them out of the condo, I left them out in a pile. Seeing them every day would mean I couldn’t ignore them, and I vowed to triage and order the images into some sort of family narrative. But even as I resolved to do so, I confessed to Sean that I couldn’t see how. I hadn’t even started, and already I felt resentful of the tedium that would stall my writing even longer.

“You’ve been saying you need a frame for the book, so write about it. Use the process,” he answered.

And a light went on. Sean had given me the key to finishing the book about my paternal grandmother and her life in Siberia.

I start this new phase of sorting and de-cluttering (and research) today.

I’ll let you know what I find.

[Photo: Pack Rat by davedillonphoto]

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Epistolophilia in the Montreal Review of Books

Šukys’s great respect for her subject inspires respect for her own book. “When I read [the letters]” Šukys writes, “I feel as though she is speaking to me directly…” And that’s also how readers of Epistolophilia feel, as though Šukys is personally telling us the story of this incredible, and incredibly important, woman over a cup of tea.

— “The Portait of a Lady,” by Mélanie Grondin, Montreal Review of Books

You can read the whole review here.

Thanks, Montreal Review of Books!

[Photo: trekkyandy]

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Author Interview in Foreword Reviews this Week

Here’s an interview I did with ForeWord Reviews, a great publication that focuses on books published by independent presses. You can access the original here (scroll down to the bottom of the page):

Conversational interviews with great writers who have earned a review in ForeWord Reviews. Our editorial mission is to continuously increase attention to the versatile achievements of independent publishers and their authors for our readership.

Julija Šukys

Photo by Genevieve Goyette

This week we feature Julija Šukys, author of Epistolophilia.

978-0-8032-3632-5 / University of Nebraska Press / Biography / Softcover / $24.95 / 240pp

When did you start reading as a child?

I learned to read in Lithuanian Saturday school (Lithuanian was the language my family spoke at home). I must have been around five when, during a long car trip from Toronto to Ottawa to visit my maternal grandparents, I started deciphering billboards. By the time we’d arrived in Ottawa, I’d figured out how to transfer the skills I’d learned in one language to another, and could read my brother’s English-language books.

What were your favorite books when you were a child?

E. B. White’s Charlotte’s Web and Roald Dahl’s Charlie and the Chocolate Factory come immediately to mind. These are books that I read and reread.

What have you been reading, and what are you reading now?

I recently finished Mira Bartok’s memoir The Memory Palace, which I found really extraordinary. I’m now reading Nicholas Rinaldi’s novel The Jukebox Queen of Malta, which was recommended by the writer Louise DeSalvo. My husband, son, and I are nearing the end of an eight-month sabbatical on the island of Gozo, Malta’s sister island, so I’m trying to learn more about this weird and wonderful place before we head home to Montreal.

Who are your top five authors?

WG Sebald: To me, his books are a model of the possibilities of nonfiction. They’re smart, poetic, restrained, and melancholy.

Virginia Woolf: I (re)discovered her late in life, soon after the birth of my son, when I was really struggling to find a way back to my writing. She spoke to me in ways I hadn’t anticipated.

Marcel Proust: I read In Search of Lost Time as a graduate student, and the experience marked me profoundly. This is a book that doesn’t simply examine memory, but enacts and leads its reader through a process of forgetting and remembering.

Assia Djebar: I wrote my doctoral dissertation, in part, on Assia Djebar, an Algerian author who writes in French. Her writing about women warriors, invisible women, and the internal lives of women has strongly influenced me. Djebar, in a sense, gave me permission to do the kind of work I do now, writing unknown female life stories.

Louise DeSalvo: I discovered De Salvo’s work after the birth of my son when I was looking for models of women who were both mothers and writers. DeSalvo is a memoirist who mines her life relentlessly and seemingly fearlessly. She’s a model not only in her writing, but in the way she mentors and engages with other writers.

What book changed your life?

There are two. Virginia Woolf’s A Room of One’s Own and her collection Women and Writing, especially the essay “Professions for Women.” I read these at the age of thirty-six when my son was approaching his second birthday. My work on Epistolophilia had stalled, and I was exhausted. I was trying to create conditions that would make writing possible again, but I was struggling with some of the messages the outside world was sending me (that, for example, it was selfish of me to put my son in daycare so that I could write; or now that I’d had a baby, my life as a woman had finally begun, and I could stop pretending to be a writer).

I remember feeling stunned by how relevant Woolf’s words remained more than eighty years after she’d written them. What changed my life was her prescription (in “Professions for Women”) to kill the Angel in the House. Before reading this, I’d already begun the process of killing my own Angel, but Woolf solidified my resolve. There’s no doubt that she is in part responsible for the fact that I finished Epistolophilia and that I continue to write.

Continue reading

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Author Reading: Vancouver, May 29th

Julija Sukys: Writing the Life of Ona Simaite, Vilna Ghetto Rescuer

Vancouver Public Library
Free Event

Tuesday, May 29, 7:00 p.m. – 8:30 p.m.

Peter Kaye Room, Lower Level
Central Library, 350 W. Georgia St.

Please join Montreal writer Julija Šukys for a reading and discussion of her new book Epistolophilia: Writing the Life of Ona Šimaitė. Šimaitė (1894-1970) carefully collected, preserved, and archived the written record of her life, including thousands of letters and scores of diaries. Epistolophilia beckons back to life this quiet and worldly heroine, a giant of Holocaust history (one of Yad Vashem’s honoured Righteous Among the Nations) and yet so little known.

For more information on Library events, visit http://www.vpl.ca

[Photo: Geneviève Goyette]

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Julija Sukys Talks Epistolophilia on CBC Radio

Radio Lancs BW 08 by musgrave_archive

Last week I had the pleasure and privilege of making a whirlwind trip to CBC’s studios in London, England, where I had an appointment record an interview with Michael Enright, the host of CBC Radio One’s Sunday Edition.

I’ve heard other writers talk about what a pleasure radio interviews can be. This certainly was the case for me. The cocoon-like atmosphere of the studio appealed to me, and the intimacy of the conversation was heightened by the use of headphones. I had a bit of feedback (an echo of my own voice) in the beginning, but this disappeared as we started to talk.

I’ve always loved radio, and grew up with a constant soundtrack of documentaries, newscasts, interviews and even radio plays in the background. Now, my son is experiencing something similar in his childhood. What a weird pleasure it was for us (even though I would have loved to go back and erase some “umms” and finish a few truncated sentences) to hear my voice coming through the box in the kitchen that delights and informs us each day.

Thanks to Michael Enright and his producer Peter Kavanagh for making the conversation happen. You can listen to the interview here. My part starts around minute 26:15.

[Photo: Radio Lancs BW 08 by musgrave_archive]

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