All the Things…

So much newness. I’ve been bad about updating here over this sabbatical year, so here are a few things I’ve made, written, published in the past few months. I’ll add them as is appropriate elsewhere on the site as well.

Here are all the things…

First up is my conversation with the brilliant Anand Prahlad published on January 1, 2019 over at the Assay Interview Project. Prahlad and I talked about his book, The Secret Life of A Black Aspie. (Audio)

Prahlad.

Second, is my conversation with the lyrical and incisive essayist, Chelsea Biondollilo. We talked about her collection, The Skinned Bird. That also appeared as part of the Assay Interview Project, on May 1, 2019. (Print)

Chelsea Biondolillo.

Third, my colleague Paul Zakrzewski and I are producing a podcast for Assay (with the Missouri Audio Project). Paul’s doing the heavy lifting hosting and editing. Here’s our introductory conversation to Tried & True. If you’re into things writerly and audio, please check it out and drop Paul a note if you’d like to submit something to the podcast. Details on Assay’s website. (Print)

Here is the first episode of Tried & True. “Once a Border Crosser, Always a Border Crosser,” a conversation with Francisco Cantú (The Line Becomes A River) and Reyna Grande (The Distance Between Us). (Audio)

Here is the second episode of Tried & True. “#MeToo & Toxic Masculinity – Where Do We Go From Here?” A conversation with Yvette Johnson (The Song and The Silence) and Taylor Brorby (Coal and Oil, forthcoming). (Audio)

And finally, I wrote a guide to grant writing and grant hunting for Assay’s “In the Classroom” Series. Check it out here.  (Print)

[Top Photo: Hernán Piñera]

 

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Interview: Ocean State Review

I was deep into my work on the book when I discovered (to my great joy) that I was pregnant with my son. Once I was over morning sickness, it was an easy pregnancy and even a pleasurable one. I continued to work and travel until the last month when my blood pressure shot up. At that point, per my midwife’s orders, I abandoned my manuscript and put myself to bed. It was a long, long time – almost two years – before I managed to return to writing in a concentrated way. — J. Šukys, in an interview with The Ocean State Review

Thank you to Heather Macpherson for taking the time and energy to talk to me at length about writing, research, and my last two books, Epistolophilia and Siberian Exile. This interview appeared in the most recent issue of The Ocean State Review.

You can read the interview with The Ocean State Review here.

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Essay Daily: Deep Roots (Thinking About “Koreans With Guns”)

Every year, the people at Essay Daily put together an essay Advent Calendar. That is, with every day of Advent, a new essay appears. Sometimes the calendar is themed; this year’s calendar was unthemed. We were simply asked to write about an essay or essayist that we liked or that interested us.

I wrote about Sam Cha’s essay called “Koreans With Guns.” The piece comes from his chapbook American Carnage. “Deep Roots (Thinking about “Koreans With Guns”) is my first publication connected to a new book project examining college campus shootings.

Thanks to Ander Monson for making a place on the calendar for me. I’m so happy to be part of the project. You can read my December 8, 2018 installment here. 

[Image: ATOMIC Hot Links]

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DEEP BALTIC Interview: “Someone Always Pays”

Some time ago, I had the pleasure of talking to Will Mawhood, Editor of Deep Baltic about my book, Siberian Exile. Thanks to Will for the excellent conversation.

Here’s an excerpt of the interview:

The first sentence we read in the book is “Someone always pays. The question is who. And the question is how.” Could you expand upon that a little?

Over the course of writing this book, I thought a lot about the question of who paid for Anthony’s crimes and how. When I discovered the war crimes indictment against my grandfather, that is, that he had overseen a massacre of Jewish women and children in 1941, I was struck by the fact that he had seemingly not paid a price for those actions and for the choices he made. His wife paid the highest price, through her deportation and loss of her children. His children paid through the loss of their mother. As I write in the book, we, his grandchildren have paid as well in certain ways. I, for example, lost my father to a sudden heart attack when he was 56 and I was 18 years old. Rightly or wrongly, I’ve always connected his sudden death to childhood trauma. What interests me is the way that actions have echoes and consequences that become visible slowly, over decades and to what extent those echoes and consequences remain real today.

If your grandfather had been at home in Kaunas when the KGB arrived, he would almost definitely have been deported, and so would not even have had the option to consider whether to collaborate with the Nazi occupying forces when they invaded Lithuania shortly afterwards. You write how tempting it is to wish for that single change – to wish for a misfortune, but one that would have prevented him from becoming complicit in terrible events. “In this alternate and, yes, selfish history, where I can change only one fate, Anthony would have been a clear, clean victim”. Do you think family tragedy is in a way less hard to deal with than guilt?

In many families, tragedy and hardship can be points of pride. An ancestor who was wrongly imprisoned, for example, might be held up as an example of resilience but an ancestor who was rightfully imprisoned for committing murder is unlikely to be celebrated. This basic difference struck me as I was writing and a question arose for me: can we take credit for our ancestors’ good deeds, talents, and triumphs if we are not willing to take some sort of responsibility for their sins as well?

You describe how your grandmother was finally given permission to join the rest of her family in Canada in 1965, but how she always remained somewhat apart – having a distant, though seemingly unfractious relationship with her husband, and finding the material abundance and different customs and language of her new home hard to adjust to. She says about the experience of being reunited, during a later interview conducted in Lithuanian: “I felt that these weren’t my kids. That these weren’t my grandkids.” Do you think this was very typical of people like her, who had been deported for long periods of time, on being reunited with their families – that it was in some way a bittersweet experience?

I imagine that my grandmother was not alone in her experience of a bittersweet reunion. As I was thinking about what Ona’s and Anthony’s reunion must have been like, I didn’t have much information to go on, even second hand, so I did bibliographical research to try and understand the range of returnees’ experiences. I read about what happened to marriages when deportees returned to the spouses they’d left behind. Many marriages, unsurprisingly, did not survive and upon their return, deportees divorced. Oftentimes if deportees remarried after returning from Siberia, they ended up marrying other deportees. I think that makes sense. Few others could have understood a returnee better than another returnee.

In my grandmother’s case, I think that her children were tie that bound her to the family. She couldn’t and didn’t blame them for having become somewhat exotic creatures in her absence. From her 1977 interview, it seems that she worked hard to adjust to her new reality in Canada. That said, she must have mourned those lost years and having missed out on watching her children grow and mature. The great gift that she received shortly after her arrival in Canada was the birth of my cousin Darius. She really co-raised him with her daughter and I think that having a new baby in her life, a child who grew to love her like no one else, was life-saving and healing.

Continue reading the interview here.

[Photo: Ona and Margarita by their cabin in Siberia]

 

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Siberian Exile Wins Vine Award in Nonfiction

“Julija Šukys’s Siberian Exile is heroic.” — Jury, Vine Award for Nonfiction

Today, I was thrilled to accept the Vine Award in Canadian Jewish Literature for the category of Nonfiction. Thank you to the jury and to the donors and to Diana for being my date at the luncheon. What’s more, the prize comes with a generous monetary prize, which I will put to good use. Photos include pics of my speech, the program, the lovely crystal plaque, two of three jury members announcing the winners, and a photo with jurors and a fellow winner in the History category.

Julija Šukys, accepting the Vine Award in Nonfiction. October 11, 2018. Windsor Arms Hotel, Toronto.
Jury members Joseph Kertes and Beverly Chalmers announcing the winners of the Vine Awards. Oct. 11, 2018. Windsor Arms Hotel, Toronto.
The award plaque. Vine Awards.
Jury members Chalmers and Kertes with History winner, Hugues Théoret and Nonfiction winner, Julija Šukys. Oct. 11, 2018. Windsor Arms Hotel, Toronto.
The Program. Vine Awards, 2018.
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Audio Interview: The Missouri Review

Not too long ago, I had a great conversation with the Missouri Review! Thanks to Sarah Beard for sitting down to talk with me. In “UNBOUND Book Festival Interview: Julija Šukys,” we talk about my book, Siberian Exile, research, digging into family history, archives, and much more. Come have a listen.

[Image: The Missouri Review]

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Siberian Exile Wins 2018 AABS Book Prize

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Teaching in the Archives: Women Writing Lives

Last summer, I spent a few weeks in the State Historical Society of Missouri developing an assignment for a new course called Women Writing Lives. I envisioned brining students into the archives and wanted them to get a sense of how enthralling archival work could be. It was more successful than I ever could have predicted, so I wrote a short piece about it for Assay: A Journal of Nonfiction Studies. Here it is. 

[Photo: Texas State Library and Archives Commission]

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Review Essay: Siberian Exile in Fourth Genre

Thank you to Ned Stuckey-French for his appraisal not only of Siberian Exile (2017) but also of Epistolophilia (2012), and my work in general. His review essay, called “A Mind Thinking” (Fourth Genre: Explorations in Nonfiction, Spring 2018, p. 209-220) concludes like this:

As I was reading Siberian Exile, I began to think about what its predecessor [Epistolophilia] mean to the field of creative nonfiction. We talk often about the essay renaissance that has flowered in the United States since the 1980s. What Julija Šukys’s work reminds me is that this renaissance is, has been, and can be global in its reach. A Canadian who now writes and teaches in the United States but who was born into a family that was cast into the Lithuanian diaspora, Šukys is especially equipped to take the North American essay out into the world, and vice versa. The range of her work is stunning. It stretches across three continents, thousands of miles of travel, scores of interviews in multiple languages, and decades of history — extending from World War II through the Cold War and the fall of the Soviet Union to the present — but she also stops and looks at moments, boring deep into an exchange on a train or the night of a massacre. Her work is horizontal and vertical. It is historical and personal. She reveals the history of the last century through the lives of individuals, often as they faced the most dramatic moments of their lives, and she tells us the story of her own mind thinking about the history, the moments, and the people she has encountered.

You can also check out Curtis Woodstock’s review of a recent Siberian Exile event here. He calls Siberian Exile “wonderfully written, emotional, and real.”

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Canadian Jewish News Review: Siberian Exile

Thanks to the Canadian Jewish News and Ania Bessonov for this careful reading of my new book, Siberian Exile.

You can read the review here. 

You can buy the book at a 30% discount using this flyer: SukysFlyerSiberianExile

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