All the Things…

So much newness. I’ve been bad about updating here over this sabbatical year, so here are a few things I’ve made, written, published in the past few months. I’ll add them as is appropriate elsewhere on the site as well.

So, here are all the things…

First up is my conversation with the brilliant Anand Prahlad published on January 1, 2019 over at the Assay Interview Project. Prahlad and I talked about his book, The Secret Life of A Black Aspie. (Audio)

Prahlad.

 

Second, is my conversation with the lyrical and incisive essayist, Chelsea Biondollilo. We talked about her collection, The Skinned Bird. That also appeared as part of the Assay Interview Project, on May 1, 2019. (Print)

Chelsea Biondolillo.

 

Third, my colleague Paul Zakrzewski and I are producing a podcast for Assay (with the Missouri Audio Project). Paul’s doing the heavy lifting hosting and editing. Here’s our introductory conversation to Tried & True. If you’re into things writerly and audio, please check it out and drop Paul a note if you’d like to submit something to the podcast. Details on Assay’s website. (Print)

Here is the first episode of Tried & True. “Once a Border Crosser, Always a Border Crosser,” a conversation with Francisco Cantú (The Line Becomes A River) and Reyna Grande (The Distance Between Us). (Audio)

Here is the second episode of Tried & True. “#MeToo & Toxic Masculinity – Where Do We Go From Here?” A conversation with Yvette Johnson (The Song and The Silence) and Taylor Brorby (Coal and Oil, forthcoming). (Audio)

 

And finally, I wrote a guide to grant writing and grant hunting for Assay’s “In the Classroom” Series. Check it out here.  (Print)

[Top Photo: Hernán Piñera]

 

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Audio Interview: The Missouri Review

Not too long ago, I had a great conversation with the Missouri Review! Thanks to Sarah Beard for sitting down to talk with me. In “UNBOUND Book Festival Interview: Julija Šukys,” we talk about my book, Siberian Exile, research, digging into family history, archives, and much more. Come have a listen.

[Image: The Missouri Review]

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Radio On!

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Many years ago, I spent two weeks in Vancouver at a sort of book publishing boot camp. I can still trace most of what I know about the business of writing back to that workshop.

Well, I’ve just come through a slightly shorter, though possibly more intensive radio experience. My friend Andrew Leland (check out The Organist, McSweeney’s podcast — he produces it) and I are in the process of founding The Missouri Audio Project. We want to tell true stories using sound; to play, think, and allow people we find fascinating to speak for themselves and tell their own tales, in their own words. In short, we want to make audio CNF (creative nonfiction).

We’ve just launched our audio hopes and dreams with a six-day summer radio intensive workshop, August 2-8, 2015, here at the U of Missouri.

The workshop served as an intensive introduction to long-form audio storytelling. It was taught by radio guru Rob Rosenthal,  currently the lead instructor of the Transom Story Workshop. Rob produces the HowSound podcast on audio storytelling for PRX (Public Radio Exchange). We hope to have him back and to open our workshop up to the public next summer! So, stay tuned.

Rob encouraged students to: focus on the story of one person; to look for action; to think about sound; and to think about what would compel listeners. He taught us the basics of recording, script-writing, and editing.

We also learned a thing or two about listening.

The workshop was life-changing: in a very short period of time, we learned a staggering amount. Rob is an amazing instructor: he inspires courage and confidence in his students. All of us (even the journalists amongst us) were working far outside our comfort zones and flying by the seat of our pants. All of us learned; all of us changed.

Over that crazy week of learning like I was 25 again, I produced my first radio piece. It’s about an extraordinary photographer named Shane Epping. You can listen to “Faye, in Pictures” here. It’s a sad, moving story told only through the human voice. Perhaps I’ll expand to other sounds soon, but this piece demanded simplicity.

I can’t wait to do more in sound. Radio on! (as Rob Rosenthal says…)

[Image: Maggie Boyd]

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