One of my first Life-blood posts was a short review of Louise DeSalvo’s essay, “A Portrait of the Puttana as a Middle-Aged Woolf Scholar.” I came across that piece in my search for some frank and honest discussion by women about mothering and writing. My son was still very little (around two), and I was struggling to balance my writing life with the demands of raising a toddler. I wanted to know what older, wiser mother-writers had to say about the matter. DeSalvo’s essay is one of the best things I’ve read on the subject.
Since, then, I’ve learned more and more about Louise DeSalvo. In her long career, she’s transformed herself from a Virginia Woolf scholar to renowned memoirist. Her books include Vertigo, Breathless, Adultery, Crazy in the Kitchen, and Writing as a Way of Healing. She has long taught writing (specifically the craft of memoir) at Hunter College in New York.
This is all to say that DeSalvo keeps one of the best blogs I’ve seen on writing as craft, process, and a way of life. Her most recent post, dated May 3, 2011, examines the mechanics of memoir. In it, she recounts a conversation with a person she “does her best to avoid” who scoffs at the idea that memoir too has a form that successful writers must take account of. In response to this individual’s challenge (and scorn), she comes up with a list of twenty criteria of a completed (successful) memoir. Here’s a taste, taken from her list of 20:
3. A good memoir shows an awareness of time – the time during which the experience takes place; the effect of the passage of time; how time helps us see things in new ways. There is emphasis on both personal history, and on the historical context in which these events take place. The memoir keeps the reader abreast of when the events are occurring.
Visit Louise DeSalvo’s blog for seventeen more. You won’t regret it.
[Photo: miss niki chan]