Talking to Children II: Scaling Clouds

My son and I have been spending 24 hours a day together for the past couple months. It’s been wonderful, but also occasionally a strain, because we are creatures of habit who are not used to spending so much time alone together. But here we are in a new place (Gozo, Malta), where we know very few people. So we’re stuck with one another.

And just when I could perhaps be forgiven for feeling a bit saturated by my beloved four-year-old’s constant presence, he reminded me of the beauty of language, and the fact that figures of speech don’t become dull and cliché until we are big. Much older than four.

A couple of days ago, Sebastian had a tummy ache and took one of those mega-naps in the afternoon that should have eaten into night-time sleep, but didn’t.

“You were feeling a bit under the weather there, weren’t you?” I said the next morning when he got up.

“Yeah,” he answered, “but now I’m starting to climb up the weather.”

He said this without skipping a beat.

I laughed, because there he was, suddenly in my imagination, scaling the side of a dark cloud, hair plastered to his head from rain, and happy.

Kindergarten starts Monday. And with it, a return to old habits.

[Photo: kevin dooley]

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CNF Conversations: Send Me Your Titles and Come by for a Chat

A few months ago, I started a feature on the site called CNF Conversations, where I interview other writers of creative nonfiction. (CNF stands for creative nonfiction.) I was looking for a way to do something of substance, to build community, to meet fellow writers, and to learn more about what was happening in the genre.

Writer interviews seemed like a good way to accomplish all that.

I also wondered if writers talking to writers might not yield more interesting and in-depth conversations about the creative process, research, and our understanding of what we do when we sit down to write nonfiction.

I think it has.

So far, I’ve interviewed Susan Olding about her fantastic book of essays called Pathologies. Susan was a great first interview: she answered my long and numerous questions with grace and clarity, and weathered the technical bumps of my first attempt.

Next came conversations with Myrna Kostash and Daiva Markelis. Each exchange sparked new ideas and questions for me about the first-person voice, about truth in nonfiction, about memory and memorialization, and our responsibilities to those we write about.

The process has also taught me that I really like the interview as a form in and of itself. Dynamic and economical is how I think of it.

In a few days I’ll be posting my conversation with Toronto writer Beth Kaplan, whose book Finding the Jewish Shakespeare tells of her archival hunt for traces of her once-famous great-grandfather, the Yiddish playwright Jacob Gordin.

Then comes my conversation with Nancy K. Miller, a giant in the field of feminist (auto)biography, about her new book called What They Saved.

Please come back to read both chats.

If you have published a recent book of creative nonfiction you’d like me to consider for the CNF Conversations, please drop me a line via the Contact page here on the site. Thus far, I’ve only interviewed women, but only by accident. Men are welcome too! (Note the photograph I chose, above, as proof.)

Spread the word, send me your titles, and keep writing.

[Photo: Paolo Margari]

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Call for Submissions: Prose Competition

19th Annual Short Prose Competition for Developing Writers

$2,500 PRIZE

The Writers’ Union of Canada is pleased to announce that submissions are being accepted until November 3, 2011 for the 19th Annual Short Prose Competition for Developing Writers. The winning entry will be the best Canadian work of up to 2,500 words in the English language, fiction or non-fiction, written by an unpublished author.

PRIZE

$2,500 for the winning entry, and the entries of the winner and finalists will be submitted to three Canadian magazines.

JURY

Writers Kevin ChongAnne Emery, and Sylvia Fraser will serve as the jury.

ELIGIBILITY

This competition is open to all Canadian citizens and landed immigrants who have not had a book published by a commercial or university press in any genre and who do not currently have a contract with a book publisher. Original and unpublished (English language) fiction or non-fiction is eligible.

HOW TO SUBMIT ENTRIES:

  • Entries should be typed, double-spaced, in a clear twelve-point font, and the pages numbered on 8.5 x 11 paper, not stapled.
  • Submissions will be accepted in hardcopy only.
  • Include a separate cover letter with title of story, full name, address, phone number, email address, word count, and number of pages of entry.
  • Please type the name of entrant and the title of entry on each numbered page. This is not a blind competition.
  • Make cheque or money order payable to The Writers’ Union of Canada. Multiple entries can be submitted together and fees can be added and paid with one cheque or money order, $29 per entry.
  • Entries must be postmarked by November 3, 2011 to be eligible.
  • Mail entries to: SPC Competition, The Writers’ Union of Canada, 90 Richmond Street East, Suite 200, Toronto, ON M5C 1P1.

Results will be posted at www.writersunion.ca in February 2012. Manuscripts will not be returned.

[Photo: Sarah Ross photography]

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10 Things I Love About Gozo, Malta

My husband, son and I have just arrived in Malta. Sean is on sabbatical this year, so, many months ago we started casting about for destinations we could afford on a reduced salary for 8 months. I wanted to go somewhere warm and sunny. Sean wanted lots of room in the house so that both of us had writing spaces. Sebastian needed to go to school. And, frankly, we all could use a change of pace and the healing presence of the sea.

Malta fit the bill.

We found a lovely house in a village on the sleepy island of Gozo (Malta’s sister island). So, here we are.

I’ll share my impressions as the months progress. I’ll try to dream up a new book too. But, for now, here are my first thoughts:

10 Things I Love About Gozo

1. The crystal blue water at the beach.

2. The lizards that run upside-down along the terrace ceiling.

3. The fishnets that hang in our doorways to keep flies out of the house.

4. The sounds of roosters and cicadas that wake us each morning, and the goats that amble by our front door every night.

5. The statues of saints and of the Virgin Mary that protect houses and traffic roundabouts.

6. The fact that Malta’s energy company is called Enemalta (!)

7. The honey-coloured limestone used to build all the homes here, and the way its dust makes our hair stiff by the end of the day.

8. The way everyone sits out in front of their houses and mills in village streets in early evenings.

9. The sound of Maltese that is a mix of Arabic, Italian, and other languages.

10. That finally, after years of dreaming about it, I get to live on an island. (No, Montreal doesn’t count somehow…)

[Photo: The Azure Window on Gozo, .craig]

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Life-blood: Andrew Westoll

Andrew Westoll. The Chimps of Fauna Sanctuary: A Canadian Story of Resilience and Recovery. Harper Collins, 2011.

Andrew Westoll’s The Chimps of Fauna Sanctuary is a deeply humane account of chimpanzee lives, and a troubling testament to how monstrously we’ve treated our closest cousins on this planet. The book tells the story of thirteen former research chimpanzees living out their days at a sanctuary located on the south shore of the Saint Lawrence River in Quebec, a stone’s throw away from where I live. Westoll was invited to live at the Fauna Foundation for a time, and to write the biographies of its primate residents. The framing narrative presents the author learning the ropes of chimp care: the weekly habitat wash that involves complex herding of chimps from one room to the next and the sanitation of feces-encrusted toys; the complexities of medication-laced smoothie production; and the annual fumigation of the Chimp House called “Operation Cucarachas,” when human and primate residents alike live outdoors.

One chimpanzee named Tom sits squarely at the heart of the book. A kind of old soul, Tom seems to change everyone he meets, whether human or chimp.

At Fauna, Tom can often be found slumped against a wall, one hand clinging to the caging above or resting on a windowsill. In this position he looks like he’s slumped on a sofa in a seniors’ home midway through slipping his arm around his sweetheart. When Tom walks on all fours, when he claps to get Gloria’s [his caregiver’s] attention, or simply when he’s lunching, the calmness of his movements suggests he knows all about time – how it works, how it can ravage you, how best to reconcile yourself to these facts. Something about Tom puts the lie to the old cliché time heals all. (29-30)

Tom is the face of Fauna Sanctuary and of the wider movement to protect and provide sanctuary to chimpanzees, and Westoll argues that the footage of him climbing a tree for the first time since his capture affected US Congress Representatives so deeply that they moved forward with legislation to protect great apes. The book is dedicated to Tom.

The tragedy of the chimpanzee, Westoll tells us, is that they are simultaneously so similar to and so different from humans. Chimpanzees and humans share all but a fraction of our respective DNA, yet chimpanzees are creatures with distinctly non-human social rites and needs. Of course, when chimps are raised by humans, they disconnect with fundamental aspects of their own species, and become more like humans. All the chimps at the fauna sanctuary occur somewhere along this chimp-human continuum. Regis loves to paint and listen to music, Rachel carries her gorilla baby dolls with her everywhere she goes, and Toby feels handsome when wearing a scrunchie around his wrist. But as quirky and sweet as Westoll’s descriptions of each chimp’s particularities are, his accounts of the horror that these animals have experienced and witnessed is unflinching. He tells of “knock-downs” with dart guns, countless surgeries and recoveries without pain killers, of years-long solitary confinement in cages suspended above lab floors, of viral infections then experimentation with vaccines. Westoll deftly tells the history of chimpanzee captivity, breeding programs and research. He weighs their outcomes and benefits to human health against the undeniable suffering undergone by its subjects. In the end, he comes out squarely against such research and in favour of chimpanzee sanctuary for all remaining research subjects. It’s hard to read this book and not to come out with the same conclusions.

I must admit that I began reading The Chimps of Fauna Sanctuary because Andrew is a friend. It’s not generally the sort of book that I read, and I wondered about the appropriateness of posting a Life-blood review about it, given that its subjects were animals.

But I needn’t have hesitated.

Above all, Westoll demonstrates that these chimpanzee lives matter. That these thirteen strong and troubled creatures deserve the care and dignity that any survivor does, because they carry similar scars and memories. And that their stories too deserve to be told.

[Photo: NH53]

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