The Stepmother Tongue: A Report from the AWP

bookfair

Last night I returned home from the AWP Conference in Minneapolis, an annual gathering of writers, teachers and professors of writing, as well as publishers, editors and printers. It’s three days of nonstop talking, listening, browsing of books, and (for some) overindulging in drink and food. I’m still at a stage in my career and thinking where I can’t pass up the chance to learn more about my field or to hear the writers whose work I love read and speak in person, so, for three days, I rushed from panel to panel from morning until early evening. (Thank goodness for the bag of snacks I carried!) The nonfiction selections at AWP tend to be particularly good, so I really immersed myself in my beloved genre.

The online journal Assay has been publishing reports on conference panels. Included amongst these is the panel I chaired, “The Stepmother Tongue: Crossing Languages in Creative Nonfiction.” Sophia Kouidou-Giles’ generous and nuanced take on what we discussed starts like this:

What challenges do authors that work in a second language, English being primary, face in the creative process? Panelists crossed linguistic and geographical borders, and transitioned into English from Lithuanian, Spanish, Cuban, Yiddish, Serb Croatian, and Greek. They discussed their experience in a rich, personal way, from the perspective of acquiring a second language (Julija Sukys,) or using an ancestral language (Ruth Behar, Stephanie Elizondo Griest, Jennifer Zoble, and Joanna Eleftheriou.) Continue reading…

The highlight of the thinking/listening part of the conference for me was a panel called “Everyday Oddities: Natural Fact and the Lyric Essay.” Panelists included: Colin Rafferty, Chelsea Biondolillo, Brian Oliu, Christopher Cokinos, Joni Tevis. You can read about it on Assay.

[Photo: J. Maughn]

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Writing True: Master Class and CNF Conference

The annual Creative Nonfiction Collective conference is coming up in Victoria, British Columbia (April 23-26, 2015), and I’m thrilled to be giving a Master Class. Registration opened two days ago, and it seems there are only a handful of spots left, so if you want to take part, hurry hurry! (Details below.)

Poster

Master Class

Filling in the Gaps: Dealing with the Unknown and Unknowable in CNF

Any nonfictionist who tries to engage with the past – whether personal or public – quickly discovers that there are limits to what is and can be known. Papers disappear, memories morph and fade, eyewitnesses die. This is true of even the most well documented stories and lives. So what can a writer do when faced with gaps in knowledge and narrative? Should she fill these holes, write around them, or side-step them somehow? In this Master Class, we will explore solutions to the problem of the unknown and unknowable in CNF. We will examine and experiment with the roles of research, speculation, imagination, rhetoric, and writerly ethics in our genre. Participants are invited to bring a problematic gap in their work to discuss and to come prepared to talk and to write!

Julija Šukys is the award-winning author of two books of creative nonfiction: Epistolophilia and Silence is Death. She is an assistant professor of creative writing at the University of Missouri where she leads both undergraduate and graduate workshops in creative nonfiction.

Date: Friday April 24th
Location: Inn at Laurel Point
Time: 1:30 – 4:00 pm
Cost: $25 for members; $40 for non-members

 

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Lions in Winter, Eastern Illinois University, Jan. 30 & 31, 2015

LionWinter

I’m heading to Charleston, Illinois, this weekend to read and to give a craft talk  at the Lions in Winter Literary Festival. Come on out if you’re in the area. I’ll be reading from and discussing the birth of Epistolophilia and what I learned about the ins and outs of archival work in the process.

The Lions in Winter 2015 featured writers are Stephen Graham Jones, 
David Tomas Martinez, Edward Kelsey Moore, Julija Šukys (yours truly), and Jessica Young.

You can find craft talk descriptions and download the program here. 

[Photo: Tambako The Jaguar]

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NonfictioNOW Call for Panels

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Deadline: Sunday, Feb. 2015

We are seeking NonfictioNOW 2015 panel proposals that bring together a group of three to five people to engage insightfully with some of the rich and vibrant contemporary debates around nonfiction

Northern Arizona University, Flagstaff Arizona, 28 – 31 October, 2015

NonfictioNOW is one of the most significant gatherings of writers, teachers and readers of nonfiction from around the world.

NonfictioNOW 2015 will be hosted and presented by Northern Arizona University, with co-sponsors RMIT University’s nonfictionLab and The Writers’ Centre at Yale-NUS College, Singapore. 2015 Keynote speakers include Maggie Nelson, Brian Doyle, Michael Martone and Ander Monson.

We are seeking NonfictioNOW 2015 panel proposals that bring together a group of three to five people to engage insightfully with some of the rich and vibrant contemporary debates around nonfiction. Panel submissions are due on 15 February 2015.

These questions include, but are not restricted to, explorations of:

• Genres and their boundaries and tensions: the essay in its myriad forms (personal, narrative, lyric, collage, interdisciplinary), memoir, forms of immersion writing, history, literary and long form journalism and reportage, travel writing, food writing, hybrids of fiction and nonfiction
• Forms beyond the strictly literary: for example documentary, radio, video and networked (online) essays, graphic memoir
• Regional characteristics and issues in nonfiction writing
• Historical threads of influence, style and discourse, from the long tradition of nonfiction connecting, for example, Seneca, Montaigne, Woolf, Orwell, Geoff Dyer, Chris Marker…
• Issues such as truth and authenticity, fakery and lies, trust and ethics, politics and power — the creative tensions between ‘art’, ‘facts’ and ‘truth
• The poetics of nonfiction
• Representations of self and other in nonfiction

This is an invitation for nonfiction practitioners both within and outside the academy – a rare chance for discussion to extend across these boundaries!

All submissions should be 300 – 750 words, and also include a 150 word précis, and 50 word bio that can be used in the conference program.

When submitting your panel, please include the details of fellow panellists you have already been in dialogue with. Please also think carefully about the chairing of your panel: whether yourself, or another panellist will also chair the session, and clearly state if you need help in finding a chair.

Please also let us know if you do not have fellow panellists in mind, but are interested in becoming a panellist, along with the topic you are interested in exploring as part of a panel. One of the things we hope to do is encourage international connections within panels, so we may be able to link you up with potential fellow panellists from another country.

There will be opportunities to publish coming out of the conference

Prospective panellists are also encouraged to submit more than one proposal, though no more than three. Individuals may appear on a maximum of two panels or readings during the conference. Prospective panellists will be responsible for securing the commitment of fellow panellists to attend the conference if the proposed panel is selected. We will send confirmation to your fellow panellists to confirm their attendance.

Please note that the conference will not be able to pay for the travel or accommodation of panellists. Travel costs will need to be covered by the panelists.

Email submissions to: info@nonfictionow.org

Visit the NonfictioNOW website here. 

[Photo: Nicholas A. Tonelli]

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Stranger than Fiction: CNFC Cabaret, June 3, 2013

CNFCPosterRevised

Stranger than Fiction: The Creative Nonfiction Cabaret

An evening of lightning readings by authors both local and from away

With readings by:

Taras Grescoe, Julija Šukys, David Waltner-Toews, Kitty Hoffman, Maria
Turner, Susan Olding, Jane Silcott, Mark Abley, Merrily Weisbord, and
Myrl Coulter

Co-sponsored by the Creative Nonfiction Collective and the QuebecWriters’ Federation

Come for the door prizes (books!); stay for the readings.

Monday, June 3, 2013

Doors open at 6:00 pm. Come for a bite and to socialize before the
readings start!
$5.00 entrance
 
Café Mariposa
5434 Côte St-Luc Rd
Montreal, QC
H3X 2C5
 
(514) 439-3190
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Epistolophilia Wins Canadian Jewish Book Award

Sukys

I’m so happy to announce that Epistolophilia has won the 2013 Helen and Stan Vine Canadian Jewish Book Award for Holocaust Literature. 

Here’s the jury citiation:

HOLOCAUST LITERATURE

Epistolophilia: Writing the Life of Ona Šimaitė

By Julija Šukys Published by University of Nebraska Press

Epistolophilia presents a new type of reading of Holocaust texts. Julija Šukys, a young Montreal-based scholar, tells the story of a genuine heroine of the Holocaust recognized by Yad Vashem as Righteous. Time and again Ona Šimaitė would slip into the Vilna ghetto to bring in food, clothes, medicine, money, and counterfeit documents and leave with letters, manuscripts, and even sedated children swathed in sacks. In 1944 she was captured by the Gestapo, tortured, and deported to Dachau.

Julija Šukys sifted through mounds of letters and diaries to paint a portrait of a remarkable life. Šukys injects herself into the book, writing about her more than eight year journey researching and writing the book, discovering Šimaitė and the emotional connection that comes through a link to the past.

The official reception and awards ceremony:

Thursday, June 6, 8 PM | FREE
The Bram and Bluma Appel Salon
at the Toronto Reference Library
789 Yonge St., Toronto

 

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Edmonton Reading: April 29, 5:00 pm

EdmontonCowboy

OMNIBUS 2012-3 CANADIAN AUTHORS SERIES EVENT, MONDAY, APRIL 29, 5 P.M.

GERALD HILL. CASSIE STOCKS. JULIJA ŠUKYS.

UPPER CRUST CAFE, SOUTH EDMONTON. 10909-86 AVE.

Gerald Hill is the author of Fourteen Tractors (NeWest Press, 2009),
 for which he won the 2009 Saskatchewan Book Award for Poetry. He has 
published four other collections of poetry: My Human Comedy (Coteau
Books, 2008), Getting To Know You (Spotted Cow Press, 2003), The ManFrom Saskatchewan (Coteau Press, 2001), and Heartwood (Thistledown
Press, 1985). He lives in Regina, where he teaches English and 
Creative Writing at Luther College at the University of Regina.

MacEwan University grad Cassie Stocks has just been awarded the 2013 
Leacock Memorial Medal for Humour for her first novel Dance, Gladys,
 Dance. She lives in Eston, Saskatchewan.

Narrative nonfiction writer and biographer Julija Šukys is the author
 of Epistolophilia: Writing the Life of Ona Šimaitė (University of 
Nebraska Press, 2012). Šukys follows the letters and journals of
 Šimaitė (1894–1970), a Lithuanian librarian who for several years 
aided Jews in the Vilnius ghetto during German occupation. Eventually,
her activities were detected by the Gestapo and Šimaitė was sent to 
Dachau. Journeying through thousands of letters, scores of diaries, 
articles, and press clippings, Šukys negotiates with the ghost of
 Šimaitė, beckoning back to life this quiet and worldly heroine—a giant 
of Holocaust history (one of Yad Vashem’s honoured “Righteous Among the
Nations”). The result is at once a mediated self-portrait and a 
measured perspective on a remarkable life. It reveals the meaning of life-writing, how women write their lives publicly and privately, and
 how their words attach them—and us—to life. Šukys is also the author 
of Silence Is Death: The Life and Work of Tahar Djaout (University of 
Nebraska Press, 2007). She lives in Montreal.

[Photo: sahlgoode]

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Seven Dos and Don’ts of a DIY Book Tour: Reflections on a Season of Travel, Talks, and Readings

Reading at The Bookworm in Omaha. Photo: Algis Praitis.

Reading at The Bookworm in Omaha. Photo: Algis Praitis.

Lately, I’ve been away from home a lot. And it’s all been in service of my book, Epistolophilia.

My “book tour” — as my sister-in-law so generously called the series of lectures, conferences and readings that I almost single-handedly organized and raised money for — has, since November, taken me from Toronto to Chicago to NYC, Washington DC, Worcester, Mass., then Missouri, Nebraska, Boston (twice!), and a few different venues here in Montreal.

Along the way, I’ve been greeted with heart-warming generosity and support. I’ve met readers who loved the book and wanted their copies signed, librarians and archivists who thanked me for giving them a hero, survivors and their children, young university students who were sweetly nervous to talk to me, and many colleagues and new friends who gave selflessly of their time to make my visits run smoothly.

Talking to readers and signing books at the University of Nebraska at Lincoln. Photo: John Nollendorfs.

Talking to readers and signing books at the University of Nebraska at Lincoln. Photo: John Nollendorfs.

Highlights included wine and cheese at a little NYC bistro with a French-Litvak documentary film maker, meeting a writer-researcher in Worcester whose book has been helpful to me in my current work, dinner with 7 feminist scholars after a reading at Assumption College, and witnessing the machine that my Nebraska friend Gediminas Murauskas (below) set in motion — namely, a whirlwind series of readings and meetings in Lincoln and Omaha that made me feel like some sort of rock star.

With Gediminas Murauskas at Creighton University, Omaha. Photo: Algis Praitis.

With Gediminas Murauskas at Creighton University, Omaha. Photo: Algis Praitis.

Last of all, there was the frenzied embarrassment of riches that is the AWP Conference — a meeting of 12,000 writers — held in Boston this year. I met essayists I’ve been corresponding with for a while and whose work I love, discovered new (to me) authors and books, listened to stimulating panels about CNF and memoir, and witnessed big-name writers read and talk about their work in a way that was familiar and friendly (Augusten Burroughs, Cheryl Strayed, Derek Walcott, Seamus Heeney, Phillip Lopate, David Shields, Pam Houston, Roxanne Gay…and on and on). There were dinners and lunches to share with writer friends, wine glasses to clink, and much to learn.

Along the way, my son and husband have been forgiving of my absences. We all understand that this is temporary, but that supporting a book and meeting with readers is part of the job of a writer.

At The Bookworm in Omaha. Looking especially tired beside the publicity materials. Photo: Gediminas Murauskas.

At The Bookworm in Omaha. Looking especially tired beside the publicity materials. Photo: Gediminas Murauskas.

So, what did I learn about “touring” a book? Here are seven things, off the top of my head. If I come up with more, I’ll share those in the days to come.

  1. Consider all invitations seriously, even those from smaller and less glamorous places. Readers are readers, and if they are reading your book, be gracious. Don’t be a snob.
  2. Don’t go broke for the tour. I applied for grants to attend conferences and tapped into local funds available to support the arts. Embassies and universities can be good sources of funding. Sometimes all you need to do is ask.
  3. Arrange to have books for selling/signing sent ahead to wherever you are reading. This avoids shlepping 30 pounds of paper onto a plane.
  4. Pace yourself. The process is both exhilarating and exhausting. Don’t underestimate how tiring it is for an introvert to be “on” for several hours. Give yourself time to recover so your mood doesn’t turn nasty.
  5. Try developing 3 or so versions of a talk, so that you can pick the most appropriate one, depending on the venue and audience.
  6. Photographs and other visual materials are very effective at literary talks. Travel with a data stick and arrange technology in advance, but be flexible enough to go without visuals at the last minute in case you hit a technical snag.
  7. Don’t punish those who came. Some of your events will hugely attended and others might be tiny meetings. Do what every writer on a book tour tells you to do: read and speak as if the room were full, even if there are only 7 people present, including you.
Reading at Creighton University, Omaha. Photo: Algis Praitis.

Reading at the huge auditorium at Creighton University, Omaha. It was a great turnout. Photo: Algis Praitis.

 

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Epistolophilia Shortlisted for Mavis Gallant Award in Nonfiction

I keep wanting to sit down and write a thoughtful post for the blog, and then something happens that I realize I should share: a reading, a review, and so on.

Mind you, I’m not complaining. I’m thrilled.

So here’s this week’s announcement: my book has been shortlisted for a literary prize.

The shortlist for the Quebec Writers’ Federation’s Mavis Gallant Prize in Nonfiction is very short indeed. It comprises 3 books.

Yours truly:

and two others:

  • Taras Grescoe, Straphanger
  • William Marsden, Fools Rule: Inside the Failed Politics of Climate Change

Grescoe and Marsden are both seasoned and award-winning writers, so I’m particularly honoured to be in their company. The winner will be announced on November 20th, at the Quebec Writers’ Federation Gala.

It should be lots of fun, and I’m thinking of getting a new frock for the occasion! I’ll keep you posted and share some photos of the event.

There is a whole slew of prizes that will be handed out on the 20th. You can read about all the nominees here.

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Reading, Westmount Library, Montreal: October 10, 2012

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